Candace Owens calls Beyonce a ‘HOMELAND BULLY’

Candace Owens has recently criticized Beyoncé, calling her a “hometown bully” who uses her influence to control public attention on her achievements, especially regarding awards and nominations. Owens, known for her conservative views, has a history of targeting high-profile figures in the entertainment industry, including Beyoncé. This critique stems from Owens’ belief that Beyoncé, despite being embroiled in various controversies, continuously pushes her audience and the industry to acknowledge her accolades.

 

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Owens has previously made headlines for her harsh remarks about other celebrities, including calling out Taylor Swift and Beyoncé for producing what she deems as “objectively bad” albums. Despite the popularity of these artists and the critical acclaim they receive, Owens insists their fame has grown to the point where no one questions their work, fueling her claims of their inflated reputations.

Beyoncé’s latest album, Renaissance, has been particularly successful, breaking streaming records and receiving widespread praise. However, Owens remains steadfast in her critique, alleging that Beyoncé leverages her fan base and influence to pressure the industry into spotlighting her work. This rhetoric fits into Owens’ broader commentary against perceived elitism in Hollywood, where she frequently calls out celebrities she views as pushing self-centered narratives​.

 

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While Owens’ views are polarizing, with supporters appreciating her boldness, she often faces backlash, especially from fans of the artists she targets. In this instance, Beyoncé’s fans, known as the Beyhive, have defended the singer, calling Owens’ comments unfounded and dismissive of the work that has cemented Beyoncé’s legacy in music. The ongoing debate between Owens and the fan communities of celebrities like Beyoncé illustrates the broader cultural tensions between entertainment and political discourse, particularly when it comes to race, success, and public perception.

This clash between Owens and Beyoncé’s fan base highlights the larger cultural conversation about the role of artists and celebrities in public life and how their influence is perceived by both critics and admirers.

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