Visit Prince William’s new homeless exhibition and discover the truth behind an artwork that moved viewers to tears

Prince William continues his impassioned drive to end homelessness by launching a ground-breaking art exhibition to challenge the nation’s perceptions on the social issue.

Prince William’s Homewards programme, which celebrated its first anniversary earlier this summer, has teamed up with the Eleven Eleven Foundation and London’s Saatchi Gallery – which is hosting the exhibition titled ‘Homelessness Reframed’ for six weeks.

 

Opening to the public for the first time tomorrow, the exhibition aims to showcase stories of hope and opportunity and move away from the images that are so often associated with rough sleeping, those of people wrapped up in sleeping bags on the streets.

 

 

 

The groundbreaking exhibition utilises the power of art to help improve the nation’s understanding of homelessness and inspire optimism that it can be ended – with many of the artists having experienced rough sleeping themselves.

“The Prince also wanted the project to generate new imagery around the topic of homelessness,” a Kensington Palace spokesperson said.

 

“Far too often the images we see of homelessness are of people rough sleeping, failing to reflect that this is just one of the many different types of homelessness that people can experience.”

They added: “His Royal Highness has long been passionate about helping the public to see the people behind the homelessness crisis, spotlighting positive stories and generating optimism that this is an issue that can be prevented and ended if we all play our part.”

 

 

William is due to visit the gallery in due course.

Lorna Tucker, a consultant for the exhibition who has herself experienced homelessness, heaped praise on the royal’s Homewards Project and said: “It gives me hope. We have King Charles and Prince William, who are so socially conscious. It’s a Royal Family that really understands the communities they are there to serve, and that for me is the biggest hope.

“The fact he’s supporting this and putting his energy into ending homelessness… that’s never happened before. When you’ve got a member of the Royal Family saying: “I’m going to dedicate my life to ending homelessness,’ we’re in a good place.”

 

 

Artists from the UK and beyond have contributed to the exhibition, many of whom have experienced homelessness themselves.

Robi Walters recalled his harrowing experience of growing up in care and serving his own “life sentence” after his three-year-old brother died in a house fire while the pair were locked in the building alone.

 

The artist, who was just five at the time of the blaze, said he spent the next 23 years blaming himself for his brother’s death and hadn’t opened up about his experiences of growing up in care until he attended a Landmark Forum at the age of 28.

“I had already done a life sentence in my head,” he said, explaining: “I carried the guilt of thinking it was my fault… I felt like I had killed my own brother.”

Opening up about what happened to him was “freeing” he said, as he turned his life to art, something he has loved doing from a young age.

 

 

Mr Walters said: “The piece of art that I have made for this show is two circles and the work itself is made from things that people discard and throw away, such as greetings cards. I like to take things that people discard and make them beautiful so that they want them back, which is a reflection of my life.”

 

The two vibrant circles are incredibly powerful, hearing the artist’s story and seeing the work in the flesh was extraordinarily moving.

The exhibition comprises three parts. The first, titled Invisible Words, was curated by Wendy Abrams, Co-founder and CEO of Eleven Eleven Foundation, and features a collection of signs created by people experiencing homelessness worldwide.

The hand-drawn signs capture a range of emotions from desperation and shame to humour and resilience.

 

 

Part two is titled Reframed, where artists were invited to create works reflecting their own or others’ experiences of homelessness.

David Tovey’s sculpture, Home 2013, saw him transform a replica Peageot 206 car that he had lived in into a hand-welded sculpture of a house.

The large sculpture symbolises David’s conflicting emotions, a deep appreciation for his car that provided a roof over his head, and the anger and sadness about his situation.

 

Other eminent artists include Rankin, Sam D’Cruze and Simone Brewster.

Open Doors is the final section, which showcases artwork created by children and young people from the six Homewards locations.

To create the doors, a series of art workshops were held across Aberdeen; Bournemouth, Christchurch and Poole; Lambeth; Newport; Northern Ireland; and Sheffield, to engage and educate children and young people on the topic of homelessness.

 

Speaking about the exhibition, Ms Abrams said: “Homelessness is a heart-wrenching and complicated problem. Art has the power to make you think, this exhibit was put together to do just that. The exhibition is intended to be an ‘exercise in empathy’, allowing visitors to see things they didn’t see before, or to see them through a different lens.”

‘Homelessness: Reframed’ will open at Saatchi Gallery on Wednesday 7th August and run for six weeks until Friday 20th September.

 

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