Blake Lively and Justin Baldoni’s Legal Battle Intensifies

Blake Lively and Justin Baldoni are embroiled in a high-profile legal dispute that has captivated Hollywood. The conflict began during the production of “It Ends With Us,” a film adaptation of Colleen Hoover’s novel, where Lively stars as Lily Bloom and Baldoni directs and co-stars as Ryle Kincaid.

Allegations and Counterclaims

In December 2024, Lively filed a complaint with the California Civil Rights Department, alleging sexual harassment by Baldoni during filming. She claimed that Baldoni’s behavior created a hostile work environment, including inappropriate comments and unwanted physical contact. In response, Baldoni filed a $250 million defamation lawsuit against Lively and her husband, Ryan Reynolds, accusing them of orchestrating a smear campaign to damage his reputation.

Public Reactions and Media Involvement

The dispute has drawn significant media attention, with figures like Megyn Kelly publicly commenting on the situation. Kelly has expressed skepticism about Lively’s allegations, suggesting that the evidence presented does not support her claims. She has also criticized Lively’s legal team for attempting to suppress evidence, further fueling public debate.

Recent Developments

In February 2025, Lively amended her lawsuit to include allegations that Baldoni’s behavior made other women on set uncomfortable. She claims that these women are prepared to testify, though their identities remain confidential to protect their privacy.

Additionally, a fan noted striking similarities between a dance scene in “It Ends With Us” and one from “Green Lantern,” a film where Lively starred alongside her husband. This observation has sparked speculation about potential influences between the two films.

Legal Proceedings and Future Outlook

The legal battle is set to proceed to trial in March 2026. Both parties are preparing for a protracted legal process, with ongoing disputes over evidence and public statements. The outcome of this case could have significant implications for both Lively and Baldoni’s careers, as well as for the broader entertainment industry.